Camille Pissarro (10 July 1830 – 13 November 1903) was a French Impressionist painter. His importance resides not only in his visual contributions to Impressionism and Post-Impressionism, but also in his patriarchal standing among his colleagues, particularly Paul Cézanne and Paul Gauguin.
Pissarro painted rural and urban French life, particularly landscapes in and around Pontoise, as well as scenes from Montmartre. His mature work displays an empathy for peasants and laborers, and sometimes evidences his radical political leanings. He was a mentor to Paul Cézanne and Paul Gauguin and his example inspired many younger artists, including Californian Impressionist Lucy Bacon.
Pissarro’s influence on his fellow Impressionists is probably still underestimated; not only did he offer substantial contributions to Impressionist theory, but he also managed to remain on friendly, mutually respectful terms with such difficult personalities as Edgar Degas, Cézanne and Gauguin. Pissarro exhibited at all eight of the Impressionist exhibitions. Moreover, whereas Monet was the most prolific and emblematic practitioner of the Impressionist style, Pissarro was nonetheless a primary developer of Impressionist technique. Whilst in Upper Norwood Pissarro was introduced to the art dealer who overstocked a large amount of oil paintings for sale Paul Durand-Ruel, who bought two of his ‘London’ paintings. Durand-Ruel subsequently became the most important art dealer of the new school of French Impressionism.
Pissarro died in Paris on 13 November 1903 and was buried in Père Lachaise Cemetery.
During his lifetime, Camille Pissarro sold few of his canvas paintings. By 2005, however, some of his works were selling in the range of U.S. $2 to 4 million.
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